суббота, 22 марта 2014 г.

W.S. Maugham "Theater"



Chapters  7 – 10

I.                   Find the following words and phrases in the text and translate them into Russian:
Placidity - спокойствие, to make frantic scenes – доводить до белого каления, to give sb. a look of scorn – презрительно смотреть, lavishness - щедрость, to know how to pull strings adroitly – знать как пускать в ход свои связи, to fall out of love - разлюбить, close-cropped hair – коротко стриженые волосы, to resist an inclination – сдержать порыв, weather-beaten skin – обветренная кожа, coltish grace – щенячья грация, to be on active service – находиться в действующей армии, confinement - роды, to run a theatre – управлять театром, effusive - экспансивный, virile air – зрелый вид, to set one's mind to smth. – стремиться к чему-либо, disconcerting - смущающий, it's a knock out - ошеломительно, amiability - благожелательность, affable manner – в учтивой манере, to exercise great ingenuity in (doing) smth. – проявлять огромную изобретательность в чем-то, to be unperturbed - быть невозмутимым, shrewdness - проницательность, to grizzle - волноваться, it's a mere commonplace – это чистая банальность, exorbitant - чрезмерный, to be conciliatory – быть дружелюбным, to foster one's career – способствовать чьей-то карьере, prosiness - прозаичность, acumen - проницательность, to have one's face lifted – подтянуть кожу лица, it's no good crying over spilt milk – потерянного не воротишь, to have little flirtations – заводить небольшие интрижки, masseuse - массажистка, gossip column – колонка светской хроники, the world of make-believe – мир притворства.

II. Answer the following questions:
1.      What did Michael and Julia do when the war broke out? – They lived London and performed in a theatre. Then, Michael went to war as an officer and Julia continued to play in the theatre.   2. Why do you think Michael enjoyed the war? Michael enjoyed the war because he became popular in the regimental mess, and the officers accepted him almost at once, even though he was an actor, as one of themselves. It was as though the family of soldiers from which he was born had set a seal on him so that he fell instinctively into the manner and way of thinking of the professional soldier. 3. Do you think love is important for a successful family life? Would you share your point of view on this problem with your fellow students? – Love is an important thing and successful family life can’t be without it. It gives us happiness and supports in difficult times. 4. How did it happen that Julia fell out of love with Michael? She became tired of her attempts to conquer him? And moreover she noticed that he was no longer a young handsome man whom she fell in love with. 5. How did Michael manage to find the money to rent a theatre? What was the theatre called? Who was in the partnership with him? During an epidemic of influenza Michael’s parents died and left him nearly four thousand pounds, and this with his own savings and Julia's brought up their joint capital to seven thousand. But the rent of theatres had gone up enormously, the salaries of actors and the wages of stagehands had increased, so that the expense of running a theatre was very much greater than it had been before the war. Then they found a rich woman Mrs. de Vries, not so old, who was interested not in the man but in Julia. She gave them the rest of the necessary sum to open the theatre. She had a passion for the stage and she became their partner. The theatre was then called the Siddons Theatre. 6. Why was Julia against Michael's taking up directing? Michael had no fantasy and his ideas were commonplace. She was not sure that he would have authority over the cast. 7. What kind of director was Michael? Michael was thorough and worked hard. He was getting more out of Julia than any other director had done, because he knew what she was capable of, and was familiar with her every inflection, every glance of her eyes, every graceful movement. With the cast he was conciliatory and exacting at the same time. When tempers were frayed his good humor, his real kindliness smoothed things over.  8. What irritated Julia in Michael more and more? How did he change in Julia's eyes? Michael’s thrift, which in the early days had seemed an amusing, rather touching trait, now revolted her. Moreover, he no longer smelt like a youth, he smelt like a man. Besides, as a youth he had taken his beauty for granted, but that time he began to pay more attention to it and spared no pains to keep what was left of it. It became an obsession. He devoted anxious care to his figure. He never ate a fattening thing and never forgot his exercises. 9. Why was Julia sad when she thought of her married life? Just because Julia’s love to Michael had died she felt that life had cheated her.10. Why was Michael happier than he had been before? When Julia fell out of love with Michael, she no longer made any demands on him. Moreover, the man thought with satisfaction that the birth of the baby had calmed his wife down; she was much easier to get on with, she never made scenes any more. At the same time, Michael was happier when he founded his own theatre, where plays were crowned with success. 11. Julia's dresser and maid was a Cockney, wasn't she? Please prove it using the examples from the text. For the little I eat I've got all the teeth I want. It'd only fidget me to 'ave a lot of elephant's tusks in me mouth. 12. Who was the unknown man who sent flowers to Julia? Why did she write him a thank you note? It was Mr. Thomas Fennell. Julia wrote a thank you note, because she was naturally polite and, besides, it was a principle with her to answer all fan letters. That was how she kept in touch with her public.

III. Make up a list of words and phrases describing Michael's appearance and character. Say what you think of him.
had a very good figure, a great mass of curling chestnut hair and large deep blue eyes, a straight nose and small ears; was the most handsome actor on the English stage; had an easy manner and he talked like a gentleman; was kind, friendly, honest, unselfish, bit shy on stage; had a trifle thin voice; didn’t like spending money; had no imagination; devoted anxious care to his figure, etc.
Michael was a pedant, stern, and meticulously thorough in fulfilling all the formal requirements. Michael didn’t like spending money; neither had he ever given on credit. He devoted anxious care to his figure. He never ate a fattening thing and never forgot his exercises. I suppose he was the perfect man to run a theatre. He knew what Julia was capable of, and, familiar with her every inflection, every glance of her wonderful eyes, every graceful movement of her body, he was able to give her suggestions out of which she managed to build up the best performance of her career. With the cast he was at once conciliatory and exacting. When tempers were frayed his good humour, his real kindliness, smoothed things over.

IV. Comment on the phrase from chapter 9: "Roger had been entered for Eton within a week of his birth." Comment on it. Give a short presentation on public schools in Britain.
That’s happened because his parents were wealthy and famous (they had all the necessary money for his studies).
Eton College provides a full boarding education for about 1,300 boys aged 13–18, with balanced emphases on high academic standards, strong pastoral support and liberal choice within a wide range of high-quality sporting and cultural activities. Access is open, competitive and meritocratic, and selection is based on all-round qualities rather than purely academic criteria. Every boy has an individual study-bedroom within a strong house community of about 50, guided by a resident house master and dame, and each boy also has a tutor who encourages his intellectual and personal development. Its Learning Centre supports those with dyslexia or other special needs. Within a broad and flexible curriculum, boys study for GCSE and IGCSE, AS- and A-levels, and Pre-U examinations in modern languages and music. The success rate for entry to Oxford, Cambridge, and other leading UK and US universities is very high.
Almost all boys now take pre-assessment at age 11 (the registration deadline is 10 years and 6 months), which involves a reasoning test, an interview and a school report. Conditional places are offered for entry at 13, subject to qualification through Common Entrance or our King’s Scholarship examination. Boys entering from the state sector in Year 9 take an exam based on the National Curriculum. There are also music scholarships. Entry can be gained through those scholarships in Year 8 without an earlier conditional place; they carry an automatic fee discount of 10%, but this can be supplemented up to 100%, according to need. We also award scholarships at age 13 and age 16 to bright boys from maintained schools, funding them through five years and two years at Eton respectively. A wide range of bursary support is also available for boys with Conditional Places, subject to a detailed financial assessment.
Beyond the schoolroom, Eton has outstanding facilities for music, art, design and drama, and our wide-ranging sports provision now includes the Thames Valley Athletics Stadium, which we share with outside clubs and organisations, and our rowing lake at Dorney, which was the venue for the 2006 World Championships and will host the 2012 Olympics. Combined Cadet Force and social service activity is strong, the Duke of Edinburgh’s Award Scheme is growing, and more than 200 speakers address society meetings each year.

VI. Give a summary of chapters 7-10.
When the First World War broke out, Michael was sent to the army. Julia didn’t want to leave him, but he insisted on her staying in London. He was sure, that Julia shouldn’t let people forget her, as an actress. She continued to play and finally she became well known as the best actress of younger generation. Her glory became so strong that it was possible for her to dare to leave the stage for some months and to give birth to a child. Shortly before the war ended she suddenly understood she had fallen out of love with Michael. After 1 World War, they inherited some money from Michael's parents and they decided to set out their own theater. The financial supporter was "the rich old woman" Dolly de Friz who had been the fan of Julia’s' talent since she was in Jimmy's troupe. Julia advised Michael to be an administrator in spite of his still playing at the stage, and it turns out to be the best decision. Remembering the past, Julia felt some kind of sadness for her love died. The only thing she had - was the art and everyday performances. Later she received flowers and a note from her fan Tom Fennel.





суббота, 8 марта 2014 г.

W.S. Maugham "Theatre"

Chapters 3-6

 

I. Explain in English or give definitions of and find contextual synonyms for the following words and phrases:
asset - a useful or valuable quality, person, or thing; an advantage or resource. Syn. plus
a sumptuous supper – splendor of a great expense. Syn. lavish
extravagance - a thing on which too much money has been spent or which has used up too many resources. Syn. luxury
thrift - careful use of money so that it is not wasted. Syn. frugality
to remonstrate - to present and urge reasons in opposition. Syn. expostulate
equanimity - calm emotions when dealing with problems or pressure. Syn. aplomb
at a loose end - to have nothing to do
to jeopardize - to put in danger. Syn. to risk
alacrity - a quick and cheerful readiness to do something. Syn. amenability
susceptible to - easily influenced or affected. Syn. suggestible
obsequious - marked by or exhibiting a fawning attentiveness. Syn. cringing
a retainer - one that retains, as a device, frame, or groove that restrains or guides. Syn. worker

II. Find quotations in the text. State their meaning and their function.
"Lord, what fools these mortals be," Shakespeare (A Midsummer Night's Dream) – by quoting Shakespeare, Jimmie shows his attitude toward Michael and Julia’s relations; in his opinion, Michael is undeserving of Julia’s love.  
"I could not love thee, dear, so much, loved I not honour more," Richard Lovelace (Tell Me Not, Sweet) - it shows Michael traits and values in life.
"Neither a borrower nor a lender be," Polonius – by quoting Polonius Michael shows his own attitude to money, this quotation explains Michael’s thrift. 

III. Explain the metaphor "she is a millstone round his neck." Who does it refer to?
This metaphor refers to the world of actors and means that it is very difficult to become famous being a young married actor. Marriage is a very serious thing for it may carry many burdens (esp. for women), e.g. pregnancy. And being a successful actor is to fully give yourself to work.

IV. Comment on the context of the following phrases:

- "He was too modest to resent an unfavourable criticism." (Ch.3) – shows Michael realization of his inability to act well, and his own beauty that helped him to perform on stage.
- "... after all he was born a gentleman." (Ch.4) – Michael’s parents did not approve of his acting career, thinking of him as a military. But at the same time they could not do anything with it and consoled themselves with the thought of Michael’s own accomplishments and perfect education.
- "He is going to be a flop." (Ch.5) – in order to console Julia that Michael would return from America Jimmie said this phrase for he knew that Michael was not a good actor and his only “talent” was his beauty.
- "'I suppose it's beastly of me,' she thought, 'but thank God, thank God.'" (Ch.6) – Julia was happy to see Michael again for she was madly in love with him, but at the same time she was feeling guilty, for it was not good to be glad of someone’s failure. 

VI. What techniques are employed by the author to make the reader see the events through Julia's eyes?
Epithets and emotional words - poor little thing, silly little fool, angel, brute, rotten old eunuch.
Inner speech monologues - "The blasted fool, why does he talk all that rot? Doesn't he know I'm crazy to marry him? Why doesn't he kiss me, kiss me, kiss me? I wonder if I dare tell him I'm absolutely sick with love for him.”

VII. Answer the questions:
1.      Who was Jimmie Langton and what role did he play in Julia's and Michael's lives?
Jimmie Langton run a repertory theatre at Middlepool. He was a fat, bald-headed, rubicund man of forty-five; an eccentric, arrogant, exuberant, vain and charming fellow. He had a passion for the theatre and loved acting, but his appearance prevented him from playing any but a few parts. Julia and Michael both performed at Jimmie’s theater.
2.      When did Julia and Michael join the Middlepool Theatre Company?
Michael performed at a different theatre for three years when he wrote to Jimmie asking for a place at his theater. As for Julia, she performed at a theater in London when Jimmie first saw her and offered her a place at his theater.    
3.      How did Julia and Michael get to know each other?  
They performed at the same play and rehearsed together.
4.      What did Julia like about Michael?
She liked his beauty, easy manners, good humor, and prodigy.
5.      What did Michael think of good looks and decent families?
Decency of a family was the most important thing for him, for not everyone could belong to such a family. As for good looks, a lot of people were good looking and it wasn’t for him something special.
6.      How did Julia feel about her family?
 She was feeling good about it.
7.      What were Michael's views on marriage?
Michael thought that actors should marry only when they are already famous otherwise it would a burden.
8.      Why did Michael find Julia extravagant?
She was a very talented actress, her performance made him cry.
9.      What did Michael read newspaper reviews for? Did Julia share his views?
He red reviews only to find out what theater critics thought of him.
10.  Who invited Julia to Michael's house for the Holy Week?
Mrs. Gosselyn – Michael’s mother.
11.  Did Michael's father meet Julia's expectations?
Julia found the Colonel a much less alarming person than she had expected. He was thin and rather small, with a lined face and close-cropped white hair. His features had a worn distinction. He reminded you of a head on an old coin that had been in circulation too long. He was civil, but reserved. He was neither peppery nor tyrannical as Julia, from her knowledge of the stage, expected a colonel to be. She could not imagine him shouting out words of command in that courteous, rather cold voice.
12.  What impression did Julia produce on Michael's parents?
She produced an impression of a lady: sensible and well-bred.
13.  Was the proposal expected by Michael's parents?
Yes, for they bore a look of happy expectancy
14.  What professional offer did Michael receive and who facilitated this?
Michael was offered a lucrative contract in America, and Jimmie, the head of the theater, facilitated that, because his contract with the man ended, and he needed to get rid of Michael.
15.  What steps did Julia take upon finding Michael was leaving for America?
She made Jimmie arrange his programme in such a way so that she might go and meet him at Liverpool. She took a couple of rooms at the Adelphi, so that they could have a real talk.
16.  Was Michael a success in America?
No, for he could not conceal his incapability of acting well.
 17. Did Julia keep in touch with him while he was away?
Julia regularly wrote to Michael with pages and pages of love and gossip, while he answered once a week, four pages exactly in a neat, precise hand. He always ended up by sending her his best love and signing himself hers very affectionately, but the rest of his letter was more informative than passionate.
17.  Was Julia eager to meet Michael straight at the station?
Yes, but she didn’t say anything about it to Michael, so it was a happy surprise to him.
18.  What were Michael's impressions after staying and working in America?
After a fortnight of rehearsals, Michael was thrown out of the part for which he had been engaged, and for three or four weeks was left to kick his heels about till something else could be found for him. He opened in due course in a play that ran less than a month in New York. It was sent on the road; but languished and was withdrawn. After another wait he was given a part in a costume play where his good looks shone to such advantage that his indifferent acting was little noticed, and in this he finished the season. There was no talk of renewing his contract”. 
19.  What was Michael going to do in England and what were his prospects?
He wanted to open his own theater, where Julia could play the leading parts. 

VIII. Summarize the events of chapters 3-6.
Julia met Michael in Jimmy's troupe. He seemed to her divinely beautiful. Julia fell in love with him at first sight and in the beginning it was one-sided love but she was determined to make him love her too. Michael was absolutely deprived of temperament both at the stage, and in life. He was the son of a colonel, he had graduated from Cambridge, and his family wanted him to take after his father. When they learnt he had chosen the theatrical career they were shocked. One day Michael invited Julia to his house and she understood that it was a kind of meeting with his parents. Finally, Michael proposed her. When Michael was offered the favorable contract in America, Julia was about to lose her temper. Nevertheless, he returned back with money and without any illusions about his acting talent. Finally, they got married and moved to London.